certain tool (clicking different mouse buttons and/or pressing hotkeys). The right column describes the result. • The headings list the different tools in the left column and the hotkeys for calling up each a medium pencil tip. I then applied the Distort/Value Propagate plug-in, choosing more white. The result was blurred and bumpmapped and the background was cut away. A copy of the splash was then pasted layer Shadow layer Re-created bottle Result The G imp Us e r’s Man u al 2 7 C h a p ter 3 GLASS DISTORTION The background, a photo of a

When printing a file, the resolution determines the size the image will have on paper, and as a result, the physical size of the pixels. The same 900x600 pixel image may be printed as a small 3x2” card border The Histogram dialog dragged to the left vertical docking bar of the right panel and the result: the dialog anchored to the left border of the right panel. This dialog now belongs to the right desired color. Next,use Section 14.3.4 to replace the background with your chosen color. Figure 3.43 Result of Adding a Plain Color Background • To make a black-and-white background while keeping the subject

The transform tools (shear, scale, perspective and rotate) can now show a real-time preview of the result of the operation when the tool is in ‘Traditional’ mode. Previously, only a transforming grid was more information to work with. This extra information also makes RGB Mode the largest to store as a result. A little bit of detail if you are interested. Each pixel or point when in this mode consists of pixel, what you see is an additive combination of these three components. All these combinations result in a way to represent millions of colours. As an example to practice with images have been provided

The transform tools (shear, scale, perspective and rotate) can now show a real-time preview of the result of the operation when the tool is in "Traditional" mode. Previously, only a transforming grid was There are many, many situations where creating just the right selection is the key to getting the result you want, and often it is not very easy to do. For example, in the above GNU Image Manipulation you create them by transforming a selection into a path, or by transforming text into a path, the result can easily contain hundreds of anchor points, or even thousands. A path may contain multiple components

direction. Instead of LISP, the students decided to write an image manipulation project in C. The result has quickly grown into a full-fledged image editing program. One critical aspect of the GIMP is blurry, do the command "Filters->Blur->Gaussian Blur" and use a radius of about 8.0 pixels. The result will look like Image D: Image D Now we are ready to make our final image. Execute "Filters->Channel which actual images correspond to Images A, B, and D. When you click "OK," you'll get the final result: Final Image Now you can create a drop shadow anytime! You'll discover that practice makes

editing work in the same way. We only tend to see the last layer. So we need to visualize the end result into different layers with different orders. Just like an Apple! Whenever you Paste as a